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PRODUCTS VINTAGE KITS ANNEX 5 |
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CollectAir is a real "brick and mortar", traditional aviation art gallery chock full of original art, prints, sculpture, vintage display models, new American-made and foreign-made hand-crafted models, ephemera, vintage model airplane exhibits with old kits and engines for sale, books and aeronautical artifacts. A few items are for display only but most are for sale. A Friend or Foe? museum of recognition training aids is an adjunct to the gallery. CollectAir is not a cyberspace or magazine ad/POB gallery pretending to be the real article. Because the number of aviation enthusiasts who are also serious collectors is rather limited in any one geographic area, I want to share the collection with aeronautical buffs throughout the world and the internet is the only attractive venue for a small business. This site represents an extension of the gallery and museum located in the downtown historic art district of Santa Barbara, California. Please browse this "alcove" often as exhibits change; feel free to buy something!. Included is an overview of the gallery and the Museum of Aircraft Recognition, occasional articles of aviation interest, and pictures and descriptions of a limited number of selected items offered for sale. The on-line "catalogue" will be frequently changed so visit CollectAir often to catch the newest offerings. Drop by and have an aeronautical treat the next time you are in the Santa Barbara area. Call ahead for an appointment; I do want to visit with you.
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Be advised that this is NOT a collection of hundreds of aviation prints but is a thinking man's website. Our goal is to provide the aviation enthusiast with an eclectic "zine" spanning many eras and containing both text and graphics. Conventional wisdom is that viewers will not read - that's O.K. because if you're really interested in, and possibly would like to buy, aviation art, ephemera, books, collectibles etc., then our textual content and graphics will be of value to you. This is not a comic book. Newsweek magazine announced a new policy in October 2007; it states, in a way, the philosophy that manifests itself on this website with regard to reading and information:
Check out the list of "department links", and it's growing. SEE THE PAGE LINKS AT LEFT FOR PAGES ON THIS WEBSITE; A VARIETY OF SUBJECTS AND ITEMS FOR SALE AND DON'T MISS THE "ARTICLES" PAGE AS NEW DISCUSSIONS WILL BE POSTED THERE.
Ordering information is given at the bottom of each catalog page and complete credit card and ordering information is located on the PRODUCTS page link.
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CollectAir is a division of Progressive Aviation Ltd., a California corporation established in 1965. Progressive was heavily involved in all aspects of the general aviation business in San Jose, California for many years and the CollectAir gallery was created in 1987 to add aviation art to the existing business entities. The gallery and museum operation was relocated to Santa Barbara in 1999 and the San Jose facility sold in 2000; since then, the gallery has been Progressive's sole business. Steve Remington is the proprietor and sole employee. The gallery's address is 1324 De La Vina St., Santa Barbara, CA 93101, (805) 560-1323 or always available at cell (408) 828-2810. Premises generally OPEN to visitors in the afternoons, Tuesday through Saturday by appointment or chance, but feel free to call for times. Appointments available at other hours and are encouraged.
I realize that revealing one's self is a risky business as you may take one look and decide that this guy is going to scare the horses. And as you can easily judge, it's not an ego thing! However, I do want to differentiate CollectAir from the faceless enterprises which we all encounter every day on the internet or in catalogs. The real estate crowd, doctors, lawyers and car dealers frequently picture themselves in that "See, you can trust me" mode although I'm coming from a different angle - I want you to see who that guy is on the other end of the telephone or computer and who the person is that is responsible for anything that goes on at CollectAir. Darts or bouquets get thrown at the fellow you see below, Steve Remington. I don't have a fulfillment center in Nebraska nor a telephone bank in Calcutta. ![]() CollectAir has a classy "Gate Guard"; a Korean War vintage Corsair, in 1:6 scale model form, mounted (daytime) in our front yard as seen in the picture below, courtesy of photographer Harris Berkowitz. This all-weather model is in the markings of Marine Squadron VMA-312 (VMF-312 in 1950-51), the "Checkerboard Squadron", as of March 1953 when operating from the carrier USS Bataan off of Korea. A currently flying F4U-5 Corsair, owned by Jim Read, is in this same marking (#5). The Corsair is important to Santa Barbara history as Marine squadrons flew and trained from the Santa Barbara Airport during WWII; the Blacksheep Squadron, VMF-214, reformed and trained in Santa Barbara in Corsairs.
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![]() Jim Read's F4U-5 of the "Checkerboarders" photographed in September 2002. Photo courtesy of Michael O'Leary, Associate Publisher and Editor of "Air Classics".
Now for a quick tour of the gallery as viewed from the entrance. The first picture below shows the view north and the second scene the south view; the Friend or Foe? Museum is located within the "barracks" building on the left of the second photo. ![]() ![]() ![]() ![]() ![]()
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The F4U-5N Corsair at the top of this page is a painting, "Annie Mo", by aviation and automotive artist Larry Lapadura. This painting is acrylic on stretched canvas, 15" x 30", and depicts BuNo 24453 flown by night fighter ace Guy Bordelon, VC-3, Korea June/July 1953. Cdr. Bordelon, USN (Ret.)passed away in December, 2002 at the age of 80. Framed by the artist, this fine painting is available by contacting Larry directly - see the XP-38 on the Original Art page for information.
All of the material in this website is copyrighted. All images of prints or paintings displayed herein are copyrighted and any use for any purpose, without the specific written approval of the publisher or artist, is an infringement of the copyright. CollectAir represents each of the publishers and living artists displayed; paintings and prints shown are located at our "terrestrial", "brick and mortar" gallery in Santa Barbara. Each print or painting is owned by CollectAir or is under a consignment agreement affiliation with the artist or his/her representative. Articles located at this website and which are attributed to CollectAir may be copied or reused for non-commercial purposes provided attribution to CollectAir is boldly displayed along with the article. Contact CollectAir for commercial applications. Photos of collectibles, gallery, museum etc. may be reused with permission of CollectAir. Note that material from this website is frequently used for commercial purposes, such as eBay descriptions etc., mostly without my permission or without any attribution.
![]() First a few words about this website which I maintain. It's designed for you - no advertising banners, pop-ups, flash, java traps, and glitzy motion. Photos are low res for loading speed. The material is mostly black ink on white paper, just like virtually everything you read daily. Pages are viewed by scrolling - not necessary to hunt and peck all over the screen to view the contents although I do throw in a few links and PDF files for detail. I admit unabashedly that this site has commercial content and I invite your business, yet more space is devoted to fun stuff than commercial and more interesting articles are in the hopper. Visitors should hit their "Reload" or "Refresh" button to make sure browser, server, and any intervening mirrors and caches are not conspiring to keep new stuff from you (the dreaded red "X" in a photo box); loading problems are usually associated with an overloaded cache. Use "Refresh."
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Visits to the Patuxent River Naval Air Station and the NASM Hazy at Dulles resulted in many photos, a few of which are posted on this website. All are on shutterfly.com now - go to Articles page for a direct link to CollectAir photos.
Now, for another subject - Art. I wrote the following discussion several years ago with the intention of running it for a month or two and then changing to another subject. The subject, however, is one that hasn't changed and one that I feel needs a continued expression of viewpoint. George Santayana wrote in his Life of Reason IV that, "Nothing is so poor and melancholy as art that is interested in itself and not in its subject." We're inundated with aviation scenes these days in the form of prints which have taken on the sobriquet of "aviation art", usurping the definition of art from the timeless description of a skilled human involving himself with some form of media to form an emotional visual bond between himself and his audience. I know that this is a mine field with more booby traps than can be estimated, yet each of us is entitled to an opinionated definition which is highly unlikely to be shared by one's neighbor. A photo-mechanical lithographic print (same as books and magazines) is a representation of a piece of art, not a work created by a skilled artist with his own tools. The printing press made that "art" not an artist. In fact, a photograph, digital or film, of any size, is probably a closer representation of the original art piece than a lithograph which is made from a photograph. I'm trapped into use of "aviation art" to describe prints even though I strongly feel that "art" should be confined to the original work created by the effort of an artist. Lithographic prints have become the benchmark by which many of the audience judge "quality" or literal faithfulness. The perfectly flat, lifeless ink dots on fragile paper and a reduced and constricted size when compared to the original work have convinced many that that is what "art" is supposed to look like - none of that messy brush work or canvas weave. I blame the artists and the publishers for this commercialized misrepresentation, not the audience. I respect aviation lithographic prints for what they are: a means of enjoying a wide array of aviation scenes on a budget - whether it's a coffee table book or a limited edition. The fact that few enthusiasts look beyond printed media to real art is proof that the audience has become unable to distinguish the true value of artistic creation and the human involvement. The audience will cherish (and pay for) the reality of pencil lead in an autograph created by the celebrity pilot yet not consider the artist's brush nor chalk to have the same degree of authority or cachet. Modern technology is guilty of a further debasement of the term "art" in that the line between skilled writing of software for computers and the use of that software to form images is sliding off into a blurred definition of "computer art". The computer artist is forming images based on millions of lines of code written by someone else, or many corporate others, whereas the old version of an artist finds him creating from unique code only contained in his head. To be fair, the head code is based on many varied, even infinite or cosmic sources, but it is shared by no other artist. Some terms that I've seen being used recently probably more aptly describe the different "art" forms: digital art as differentiated from traditional art. Aviation art has gently tilted toward representationalism that has taken the artist way beyond what was once considered literal description. Recreating an airplane structure in perfect form with accurate rivet spacing, color chips to match paint, markings to perfection, and the attempt to satisfy time lines to the hour, have had the effect of celebrating photographic detail to the detriment of joy. Emotions associated with flight are stifled by excesses of excruciating minutia. There is no turning back this tidal wave of detail. But when that one superb example of an emotional aviation work comes along now and then, the audience will react and revel in the discovery of art. A stationary airplane, sitting on a ramp, is a ripe subject for minute detail by the artist-observer who is also static. But, aircraft locked in combat, with an expansive skyscape, defy close examination by the brush and paint wielder. Just for fun, let's look at a couple of pieces of miltary aviation illustrations from the past and compare them to works of today. Neither has a surfeit of detail and both are typical of their period. The first is from World War I, an undated cover illustration for a French publication (thanks to my friend Georges Grod of Royan, France); suggestive of a B-17 waist gunner - really not much difference. The second is entitled "Torpedo Squadron 8" and was painted by James M. Sessions for the June 1944 issue of Aviation. I suggest that you can thoroughly enjoy both of these illustrations sans rivets. So you say, "What's the point of all this?" Heck, I don't know - but you have to admit that Ensign George Gay looks like he's in a hell of a lot of trouble out there so the artist has accomplished his intent. You and I have seen artwork depicting this event by dozens of artists over the years, yet, for me, this scene, with all its technical faults, gives me a profound sense of what went on that fateful day for George Gay.
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As items, articles or information are added to this site, I'll try to list the latest changes here. When the list gets too long, I'll erase and restart. Done on 01/01/08.
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CollectAir is selling a limited selection of the fine, hand-crafted, limited-edition, painted pewter models from Diverse Images Historic Aviation Collection. These exquisite models are made in England. Check out our Page Link, DIVERSE IMAGES English Pewter Models (see Page Links at left). Don't miss out on the B-17G Diorama which is now in our stock - a limited edition of only 100 (preview below). These are the only Diverse-Images examples on commercial display in the U.S. that I know of. These models make wonderful and unique gifts that can't be found elsewhere and are an excellent trophy or award. Also new, a three P-51 D-Day diorama in a signed edition of only 60 is now in stock - check it out on the Diverse Images page. Models limited to stock on hand.
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Jackson created the sculpture, Sacagewea, in 1980 on commission from Great Western Savings which later merged with Washington Mutual. Sacajewea was a Lemhi-Shoshone Indian guide on part of the famous Lewis and Clark Expedition; she was married to the expedition's interpretor. Around the same time, Jackson also created a 21-foot bronze of John Wayne, The Horseman, for Great Western; this monumental work is located in Beverly Hills at Wilshire and La Cienega boulevards.
![]() The city of Santa Barbara, with its liberal political peculiarities and college setting (and I'm sure you've encountered the mind-set of those folks when it comes to "art"), has not seen fit to promote Sacagewea as one of the more artistic creations in the area (for other great sculpture, visit La Arcada nearby). Therefore, I invite you to view this statue of a courageous lady whose trek with Lewis and Clark has been peppered with fictitious myth and legends, but yet when her life is simmered down to plain truth, she is truly a majestic figure in American history. The next time you're in Santa Barbara, visit this heroic lady at the corner of State St. and Victoria.
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![]() The radiator was relocated to the nose very early in the test program but pictures in magazines persisted showing the XP-40 as pictured during its first flights. Even the German Luftwaffe Wiking recognition model of the P-40 in 1:200 scale is configured with the radiator in the aft fuselage position! Flying Aces and Model Airplane News, with its Jo Kotula covers, both frequently used odd but bright airplane color schemes to emphasize the magazine on the newstands of the era. CollectAir has many vintage model airplane kits and magazines for sale from the 1930s and 1940s; also see the "Articles" page for a briefing on old, solid model kits.
CollectAir photos taken at the NASM Steven F Udvar-Hazy Center at Dulles Airport may be accessed on the Articles page link. Over 300 photos taken of the artifacts, arranged in an album. This photo of the Turner RT-14 Meteor racer is an example.
![]() After you've browsed this CollectAir site or it's new additions, try www.gava.org.uk for some more great original aviation artwork which can take you several hours to peruse. The British Guild of Aviation Artists has hundreds of paintings from their Exhibitions on their website - a heck of a lot to look at - over a thousand! Available on CD. Send me your vote for "Best of Show." Speaking of British, check out Michael Rondot's website whose name we share - his address is www.collectair.co.uk. His art is outstanding. I have a secondary market Hawker Hunter print of his signed by a bunch of Hunter test pilots; yours for only $100.00. The American Society of Aviation Artists (ASAA) displays a number of outstanding aviation paintings on their website, www.asaa-avart.org. All of the award winning paintings from the 2007 ASAA Forum at the Baltimore/Washington International Airport are currently on exhibit along with previous exhibits. This outstanding exhibition ran in the BWI terminal until September 7, 2007; you can view this exhibition by clicking here for artwork. Some ASAA folks, Andy Whyte and Charlie and Ann Cooper have put out a new book, "How to Draw Aircraft Like a Pro." An excellent work that everyone can learn from; even if you do no artwork at all, this book will alert you to good practices which you will be able to spot in your review of new prints and illustrations. Amaze your friends as you sit down at the piano and play; buy this book for only $19.95, available at Motorbooks.
I highly recommend Hannan's Runway, POB 210, Magalia, CA 95954, as an excellent source for model aviation and aircraft history books, some published and edited by Bill Hannan. Access Bill by www.hrunway.com. Every vintage aviation enthusiast should subscribe to Skyways, the journal of the airplane 1920-1940. With in-depth articles, this journal goes where your usual newsstand magazine can't reach; Skyways has exacting studies of the great airplanes of the "Golden Age", plus many other features including a terrific section on model airplanes. Subscribe by sending $42 to World War I Aeroplanes, Inc., 15 Crescent Road, Poughkeepsie, NY 12601.
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Quick! Test your recognition skill. What airplanes are those flying overhead? Check the Friend or Foe? museum link and you'll not only find out but you'll also learn who made those models and what scale they are.
Doug Emmons creates magnificent wood "sculptures" of airplane subjects, each a one-of-a-kind masterpiece. A Doug Emmons WWII Typhoon, created in the "bread and butter" technique based on an old kit, is shown on the "Articles" page. Doug has a delightful website DOXAERIE which showcases his incredible models and philosophy. Artist Michael Boss, some of whose work is displayed in the Original Art page, has an Amelia Earhart scene featured on page 44 of The Artist's Magazine for February 2004 along with a discussion of his use of casein. This painting, Earhart and the Little Red Bus: Breaking Out of Bad Weather on Her Solo Transatlantic Flight, was in the juried ASAA show held in Wichita, Kansas. I assume that most visitors to this website are some sort of aviation collectors, yet only 15% (improving) of visitors browse the "Collectibles Info" page. Interesting? Nothing there for sale, just my blather about collecting stuff. Before you venture further into this website, I highly recommend that you pay a visit to the COLLECTIBLES INFO page. Did you know that the USS Enterprise was the only U.S. Navy operational aircraft carrier in the South Pacific on November 12, 1942? Read about Admiral Martin Doan "Red" Carmody's SBD adventures in the World War II Stories Page Link at left.
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The photo below purportedly represents the Lockheed XP-38 in flight; this picture taken from a Lockheed advertisement. Do you think it's real? Checkout the XP-38 story on the Original Art page for the answer. ![]() ![]()
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And, while we're on the subject of breakfast cereal, the box back from Quaker Puffed Wheat Sparkies, "Shot From Guns," is presented below. From around 1939/40, The "Home Defense Series," with Captain Sparks, Commander, of airplane pictures is typical of cereal box pictures of that era. This scene of a PBY-5 was enough to excite any young lad and it says to "save them all," which translates to "eat more Sparkies." This terrific old box is significant to me as the bottom flap says, "Mills: Akron, Ohio - Cedar Rapids, Iowa - St. Joseph, Missouri." St. Joseph was my home town and, as a grade school student, we were taken to the local Quaker Oats plant to watch these Sparkies being shot from guns - I can still smell that delicious aroma of toasting wheat.
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A delightful scene of a YB-17 at Langley in 1942. This remarkable color photograph (transparency)is from the Library of Congress "American Memory" series WW2 section available on their website.
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Return to Top of Page ![]() Korean vintage F4U-5 from Sterling Models 1964 ad for a rubber-powered, balsa kit A-14. What a superb graphic!
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Thanks for visiting CollectAir. Please e-mail us if you have any questions or would like to add your comments to our articles. Use the FEEDBACK link for correspondence or to ORDER. We welcome suggestions and particularly encourage you to point out any errors which may exist, or if you experience any difficulty in loading a page link. To ORDER, call (805) 560-1323, cell (408) 828-2810, or e-mail at collectair@verizon.net. Check, money order or credit card. Mailing address is CollectAir, 1324 De La Vina St., Santa Barbara, CA 93101. See PRODUCTS page link for required credit card information.
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